![]() Which, in turn, created a more coming-into-a-shaft-of-light look. This gave the shaft of downlight a more defined edge. ![]() So we gobo'd the edge closest to Brett with two strips of gaffer's tape to make a quickie barn door. Even so - and even with the control you get with the SB-III - his hair was still a little hot. Actually, it is even pointed a tad away from him and back toward me. The shaft is hard (-ish) and pointed straight down. If we come in high and in front of Brett, we create a shaft of "third-degree" -type light that you might see in an interrogation scene in a movie. But the not-hard / not-soft look, plus total control, in a small package is too much to resist for me. It is really my go-to light mod for close-in speedlight portraiture now. I'll give you one guess as to what I used for a key light. ![]() This time around: High-axis key light with just enough strobe on the background to separate it from black. At left is Brett, who was lit right where he sat in a classroom chair in an unfinished commercial building with a primed drywall background. Last in this series we looked at Riaz, lit entirely by flash against a darkish wooden wall.
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